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cineSync: The Last Airbender Thu, 14 July 2011
VFX Supervisor Allan McKay and cineSync Sat, 10 July 2010
cineSync 3.0 released - with Shotgun integration Thu, 13 May 2010
Avengers brought closer together by cineSync Tue, 11 May 2010
New Zealand gets a bit less remote... Thu, 15 April 2010
Zack Snyder loves cineSync Wed, 31 March 2010
cineSync transforms Wolfman communication Wed, 24 March 2010
German Ninjas? Only with cineSync Mon, 01 February 2010
cineSync tackles communication challenge Fri, 29 January 2010
Avatar and cineSync II Mon, 11 January 2010
Avatar and cineSync Thu, 07 January 2010
5 Ninja Star Communication for Assassin Wed, 02 December 2009
cineSync me up, Scotty! Tue, 01 December 2009
Ben 10 VFX go global Mon, 30 November 2009
cineSync for Happycampers Thu, 29 October 2009
A cineSync in 9 saves time Fri, 11 September 2009
cineSync for Snow Leopard Fri, 04 September 2009
cineSync 1.3.1 and cineSync 2.1.1 released Wed, 02 September 2009
Good communication is Terminator's Salvation Tue, 11 August 2009
cineSync 1.3 and cineSync Pro 2.1 released Thu, 04 June 2009
RSP Sync their claws into Wolverine Wed, 06 May 2009
Fox gets that Syncing feeling Thu, 26 February 2009
No communication horrors for Uninvited Thu, 05 February 2009
There in Spirit Fri, 16 January 2009
The Spirit of collaboration Wed, 24 December 2008
cineSync provides visual communication in Twilight Wed, 26 November 2008
VFX in Changeling times Fri, 07 November 2008
City of Ember connects to the world Mon, 13 October 2008
Reviews on Dark Knight clear as day Mon, 14 July 2008
cineSync Meets Dave Sat, 12 July 2008
cineSync makes Journey easier for Frantic Wed, 02 July 2008
Controlling the Hulk with cineSync Mon, 30 June 2008
cineSync sounds right for Audio Post Mon, 02 June 2008
cineSync Pro released Mon, 26 May 2008
cineSync 1.2.7 released Mon, 07 April 2008
cineSync on a Journey with Meteor Mon, 11 February 2008
Ogres, Goblins, Fairies, Sprites and cineSync Mon, 21 January 2008
Reviews from the Riverbank Thu, 10 January 2008
cineSync gains a better view for Vantage Point Sun, 30 December 2007
cineSync 1.2.4 released Wed, 12 December 2007
Entity FX take cineSync Into the Wild Fri, 16 November 2007
The Dark Rises More Quickly at Riot Fri, 19 October 2007
Surfing the Power of the Web for Fantastic Reviews Wed, 29 August 2007
Effective Reviews are the Difference Between the Quick and the Dead Wed, 22 August 2007
cineSync assists Warner Bros' German Invasion Wed, 22 August 2007
cineSync Helps to Keep the Traffic Moving in Rush Hour 3 Fri, 17 August 2007
cineSync 1.2.3 released Wed, 27 June 2007
Charlotte's menagerie managed with cineSync Wed, 07 February 2007
cineSync 1.2 released Tue, 05 December 2006
cineSync voted best technology Wed, 08 November 2006
Happy Birthday cineSync! Wed, 01 November 2006
Click reviews with cineSync Thu, 20 July 2006
Superman Returns VFX Reviews Mon, 03 July 2006
Aiding creativity on X-Men : The Last Stand Thu, 01 June 2006
cineSync v1.1 at NAB2006 Wed, 19 April 2006
cineSync used on The Shaggy Dog Wed, 01 February 2006
cineSync v1.0 launched Mon, 31 October 2005
Spielberg uses cineSync for War of the Worlds Fri, 01 July 2005

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Edgeleft
Edgeright

Happy Birthday cineSync!

Wednesday, 01 November 2006


Rising Sun Research celebrates the first birthday of the world's preferred visual media review tool.

Since its commercial release in November 2005, cineSync has become the preferred software tool in the international film industry for reviewing, annotating, discussing and approving picture edits, visual effects shots, credit sequences and other aspects of post production. An integral part of the workflow of major Hollywood productions such as X-Men: The Last Stand, Poseidon, Superman Returns and Charlotte's Web, cineSync has quickly become the market leading review tool due to its reliability, practicality and ease of use. cineSync is also seeing substantial use in episodic television, including the 40 part animated TV series Animalia for the BBC and Nickelodeon.

On X-Men: The Last Stand, VFX Supervisor John Bruno had to co-ordinate and review work being completed in England, New Zealand, Canada and the US. "Previously, the only way to check work in progress from different parts of the world was to either go to the facility, receive tapes or DVDs or wait for film outs, then give comments by phone or e-mail. With cineSync it was almost like being there. I was never out of the loop."

Mark Stetson, a VFX Supervisor on many big budget Hollywood productions says "The drawing tools in cineSync are great for me. I am a visual thinker, so I love to draw in cineSync as I discuss shot development".

The substantial experience of Rising Sun Research in delivering high quality software tools (such as the highly successful cineSpace Colour Management System) has been a telling factor in the success of cineSync. The company was founded in 1999 and enjoys a close relationship with customers such as Weta Digital, Industrial Light and Magic, Frantic Films, The Moving Picture Company, Framestore CFC, Meteor Studios, The Orphanage and Rising Sun Pictures. Feedback from these companies has been an integral part of the development process, ensuring that cineSync is consistently delivering the best possible service and remains aligned with ever changing workflow demands.

The upcoming release of cineSync 1.2 later this month will include many new features developed in conjunction with key cineSync clients, including a Buddy List, a 'sticky-note' text drawing tool, refined line, arrow and circle drawing tools, session saving capability and support for Final Cut Pro XML.

"cineSync was the first public, commercially available offering able to remotely review, annotate and synchronise the viewing of digital frame-based media" states Clint Walker, CEO of Rising Sun Research. "Over the past year, we have proven ourselves with some of the most demanding users at the highest levels of the industry. We will continue to push the envelope in terms of what can be achieved and we're looking forward to big things in the future".

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