cineSync
Buy Try
Download

cineSync 3.0.1
Macosx_universal_35px Win Tux

news archive

cineSync: The Last Airbender Thu, 14 July 2011
VFX Supervisor Allan McKay and cineSync Sat, 10 July 2010
cineSync 3.0 released - with Shotgun integration Thu, 13 May 2010
Avengers brought closer together by cineSync Tue, 11 May 2010
New Zealand gets a bit less remote... Thu, 15 April 2010
Zack Snyder loves cineSync Wed, 31 March 2010
cineSync transforms Wolfman communication Wed, 24 March 2010
German Ninjas? Only with cineSync Mon, 01 February 2010
cineSync tackles communication challenge Fri, 29 January 2010
Avatar and cineSync II Mon, 11 January 2010
Avatar and cineSync Thu, 07 January 2010
5 Ninja Star Communication for Assassin Wed, 02 December 2009
cineSync me up, Scotty! Tue, 01 December 2009
Ben 10 VFX go global Mon, 30 November 2009
cineSync for Happycampers Thu, 29 October 2009
A cineSync in 9 saves time Fri, 11 September 2009
cineSync for Snow Leopard Fri, 04 September 2009
cineSync 1.3.1 and cineSync 2.1.1 released Wed, 02 September 2009
Good communication is Terminator's Salvation Tue, 11 August 2009
cineSync 1.3 and cineSync Pro 2.1 released Thu, 04 June 2009
RSP Sync their claws into Wolverine Wed, 06 May 2009
Fox gets that Syncing feeling Thu, 26 February 2009
No communication horrors for Uninvited Thu, 05 February 2009
There in Spirit Fri, 16 January 2009
The Spirit of collaboration Wed, 24 December 2008
cineSync provides visual communication in Twilight Wed, 26 November 2008
VFX in Changeling times Fri, 07 November 2008
City of Ember connects to the world Mon, 13 October 2008
Reviews on Dark Knight clear as day Mon, 14 July 2008
cineSync Meets Dave Sat, 12 July 2008
cineSync makes Journey easier for Frantic Wed, 02 July 2008
Controlling the Hulk with cineSync Mon, 30 June 2008
cineSync sounds right for Audio Post Mon, 02 June 2008
cineSync Pro released Mon, 26 May 2008
cineSync 1.2.7 released Mon, 07 April 2008
cineSync on a Journey with Meteor Mon, 11 February 2008
Ogres, Goblins, Fairies, Sprites and cineSync Mon, 21 January 2008
Reviews from the Riverbank Thu, 10 January 2008
cineSync gains a better view for Vantage Point Sun, 30 December 2007
cineSync 1.2.4 released Wed, 12 December 2007
Entity FX take cineSync Into the Wild Fri, 16 November 2007
The Dark Rises More Quickly at Riot Fri, 19 October 2007
Surfing the Power of the Web for Fantastic Reviews Wed, 29 August 2007
Effective Reviews are the Difference Between the Quick and the Dead Wed, 22 August 2007
cineSync assists Warner Bros' German Invasion Wed, 22 August 2007
cineSync Helps to Keep the Traffic Moving in Rush Hour 3 Fri, 17 August 2007
cineSync 1.2.3 released Wed, 27 June 2007
Charlotte's menagerie managed with cineSync Wed, 07 February 2007
cineSync 1.2 released Tue, 05 December 2006
cineSync voted best technology Wed, 08 November 2006
Happy Birthday cineSync! Wed, 01 November 2006
Click reviews with cineSync Thu, 20 July 2006
Superman Returns VFX Reviews Mon, 03 July 2006
Aiding creativity on X-Men : The Last Stand Thu, 01 June 2006
cineSync v1.1 at NAB2006 Wed, 19 April 2006
cineSync used on The Shaggy Dog Wed, 01 February 2006
cineSync v1.0 launched Mon, 31 October 2005
Spielberg uses cineSync for War of the Worlds Fri, 01 July 2005

Rss More news >>
  • home
  • about
  • partners
  • tales
  • try
  • buy
  • Navicon news
  • support
Edgeleft
Edgeright

German Ninjas? Only with cineSync

Monday, 01 February 2010


Movie making truly is a global business these days. Making a film with a director based in the US and VFX facilities based in Europe can lead to some pretty difficult communication challenges. That's where cineSync comes in.

Ninja Assassin was directed by James McTeigue (V for Vendetta), who needed to stay in America during the post production process. In an article on CG Society, one of the VFX Supervisors Chris Townsend talked about the challenges of a distributed post process

From the article:

Working with a limited budget meant the effects were best served abroad where countries offered the desired tax breaks, so most of the work was done in Germany. CineSync and several VFX Supervisors were involved. Main VFX Supervisor Dan Glass wasn't able to be on set but did all the prep, then came on in post.

His Matrix partner in crime John Gaeta was on set as VFX Consultant, second unit, doing element shoot supervising. Chad Jarrett from Blue Bolt was also on set, Bjørn Mayer was both on set for the vendors and was VFX Supervisor for Pixomondo, and Alessandro Cioffi was the VFX Supervisor at Trixter Films. Rise Visual Effects and Evil Eye Pictures were a part of the team, and VFX Supervisor Chris Townsend helped hold it all together. Glass realized he needed to be with the director, James McTeigue, in both Chicago and Los Angeles for the entire production and needed someone oversee the work in Europe, which is where Townsend came in.

Townsends' job was to be the production supervisor available to the vendors, working with their internal supervisors on behalf of the director. "I spent a few weeks in Chicago getting to know the show, to ease the process and act as the conduit to Glass.

For six to seven months we would present to Glass in cineSync sessions, who would then present to James. For the last couple of months, I was in LA at Warner Brothers where I worked with Glass finishing things up.

You can read the rest of the article, which also details some of the bloodier FX work in the movie at CG Society.


cineSync © 2005–2010 RSR
Privacy Statement | Terms & Conditions | Contact Us